✨ Lyric
Mirror Work
Every morning I practice becoming
the woman I see in the glass,
her eyes holding questions
I'm not ready to answer. She knows
what I'm afraid to admit—
that I've been performing this role
for so long I've forgotten
which parts are script
and which are improvisation,
which gestures are mine
and which I borrowed from women
who came before me,
their reflections layered
like transparencies
over my own face.
She asks me: Who are you
when no one is watching?
When the mirror is dark
and you can't see yourself
in anyone's eyes?
I practice the answer
like a mantra, a prayer,
a spell I'm casting
to summon the woman
I might become
if I stopped trying so hard
to be the woman
everyone expects to see.
Every morning, the ritual:
I stand before the glass
and study her—
the slope of her shoulders,
the set of her jaw,
the way she holds herself
like she's carrying something
too heavy to name.
I ask her: What would you do
if you weren't afraid?
She doesn't answer.
She just looks back at me
with those knowing eyes,
waiting for me to figure out
that we've been asking
the same question
all along.
So I practice.
I practice becoming
the woman in the mirror,
the one who knows
all my secrets,
who sees me
in my most unguarded moments,
who waits patiently
for me to recognize
that she's been me
all along—
the me I'm learning
to become,
one morning,
one reflection,
one honest look
at a time.
About the Poet
Samira Hassan is a Palestinian-American poet whose work explores themes of identity, diaspora, and the construction of self. Her poems have appeared in The New Yorker, Poetry Magazine, and The Rumpus. She is the author of two collections, Borderlands and The Geography of Belonging, both published by Copper Canyon Press. Samira holds an MFA from NYU and has received fellowships from the National Endowment for the Arts and the Lannan Foundation. "Mirror Work" is part of her forthcoming collection exploring the daily rituals of self-recognition and transformation. She currently teaches at Sarah Lawrence College.